TV, as we know it, has not really changed much or has it?
I remember the days of the black and white TV in the 1960’s. Then came colour TV and that caused quite a stir in the 1970s. But generally what TV did was to provide entertainment to families and friends at home. What that entailed was getting your family members together infront of the TV as you watch a show. It was a social event, a gathering of people and family in front of a screen that became the window to the larger world outside our own homes. We laughed and cried as we witnessed stories unfold before us and we discussed the story plots and the issues that these stories raised after watching TV.
When the Internet arrived and people started spending more time watching their computer screens, TV audiences started to decline. This decline seemed to accelerate when mobile phones and tablets came into the scene and people started to question whether TV as a entertainment medium could survive.
Social media was the real game changer. Networking websites like Facebook and Twitter began to rule cyberspace and younger people (especially those in the 15- 35 years of age), began to spend even more time on the Internet, “speaking” to their friends about everything and anything and updating your status on Facebook became part of their daily routine. Singaporeans on average spend about 25 hours a week online, thanks to our well-connected island-wide broadband infrastructure.
This same group of people, termed as “millennials” by advertisers and media executives, are also watching less and less TV.
[“Millennials” — defined by the North American industry as the generation comprised of 15- to 34 year-olds — comprise more than 1.7 billion consumers worldwide and represent the largest demographic bubble in both U.S. and Canadian history. Millennials constitute over 85 million in the U.S., – and in Canada, there are nearly 10 million millennials — more than 30 percent of the country’s current population. Check out – Disney/ABC Television, Corus Entertainment to Create Millennial Channel – ABC News.]
I personally got this sense as well, when I ask my students in class, if they watched a certain TV show or if they watched the news on TV, and often the answer I got was a shake of the head. Ms Grace Fu, Senior Minister of State for Information, Communication and the Arts, revealed in parliament that the daily reach of free-to-air (FTA) channels has declined significantly between 2005 and 2011, from 92 per cent to 75 per cent. The stress and consternation among TV executives must now be almost palpable.
What then is the future of TV and more importantly, the future of PSB (public service broadcast) programmes on FTA channels like Channel 5, Channel 8 and okto?
A PSB Review Panel completed its study on how to enhance the provision of PSB content and its recommendations were discussed in parliament recently.
Among its recommendations:
1) That resources be made available for story-planning, scripting and research and to ensure sufficient time for filming and post-production. In short, enhancing the key parts of the production process.
2) Encourage the development of programme pilots to test audience reception and determine which ideas and concepts sell and which bomb out, thus giving more clarity on the ones that can be developed into full programmes.
3) That the MDA identify public- and private-sector partners to nurture local talents through sustained training, attachment and talent-matching plans.
4) That PSB content be made more widely available to audiences on both FTA and non-FTA platforms like online media websites like MediaCorp’s xinmsn, SPH’s RazorTV and pay-TV platforms like StarHub TV and Singtel’s mioTV.
Discussions on the latter have been numerous with varying levels of depth but essentially its what is termed by MediaCorp as 360TV, making content available on all platforms.
The idea is also simple in theory but may face bottlenecks in practice as it raises a lot of questions. How should these PSB programmes, first broadcast on FTA channels, be distributed to other platforms, especially those not owned by MediaCorp? At what cost should they be made available? (or should it be free?). How do the different media platform owners share the revenue derived from the airing of these programmes?
But what is also interesting in this discussion is that which was not touched on or perhaps not given as much attention as it deserves. It’s what people are doing in their everyday lives on social media which has crept inevitably, into TV viewership, helped along by the technology. The era of social TV fuelled by the advent of Smart TVs has arrived. These are TVs carrying internet streaming capabilities which allow you to surf the net, check your email and Facebook accounts and watch TV at the same time.
What does social TV allow you to do? Well it allows you to personalise your TV guide, link up with Facebook and Twitter and see which of your friends are actually watching the programme, follow what fans say about a programme or follow the stars on Twitter, switch to a live chat platform and speak to fellow fans and make new friends, see photos of your favourite TV stars, take part in a poll concerning a certain episode of a programme. All this interactivity is further enhanced by the provision of a dashboard menu on the screen which makes it easier for you to do what you want to do on your TV screen by clicking on respective activity thumbnails.
This is what is currently available on the social TV services space around the world and Google and Apple have already jumped on the bandwagon. However, MediaCorp has some ways to go yet in terms of developing its resources to enable truly social TV offerings. Currently the social aspects of TV viewing like Twittering and checking out Facebook TV events are pretty much confined and contained within a specific programme’s online space. There is no integrated platform where customization is offered to the TV viewer, where he can create his own “favorites” menu of channels and programmes and do all the social stuff I was talking about earlier. [Also read: CNA goes 24 hours with new city studio – TODAYonline 19 Jan 2013]
Take for example First XI, a Channel 5 reality series where a squad of footballers is selected after some auditions to undergo 3 months of grueling training, tough challenges, competitive matches and overseas stints, under the laser sharp supervision and tutelage of Liverpool legend Steve McMahon, and ex-national player R.Sasikumar.
While you can keep up to date with the series on xinmsn’s Catch-up TV (First XI: Episode 1 on MSN Video) and follow some of the reality stars on Twitter, there’s really very little space for TV fans to talk and share their comments. While xinmsn (MediaCorp’s video site in collaboration with Microsoft) maybe the most convenient platform to be developed into a full-fledged social TV service offering, it may probably be best if MediaCorp actually think seriously about starting this service afresh on a totally new platform. This will ensure that the shortfalls and limitations of the xinmsn website does not hinder the full range of services that can be made available on a full-fledged social TV platform.
This social TV platform and all it’s interactive features can be made available to viewers as an add-on service for a price, perhaps in the form of a modest monthly subscription. When this new platform is fully developed and running, it can then form joint ventures and collaborations with production companies and distributors to develop and market new content, making for a more vibrant and exciting TV market.
This is already happening around the world. Take, for example, UK media mogul, Simon Fuller and his production company, XIX Entertainment (creator of the ‘Pop Idol’ franchise). Fuller signed a partnership with social TV platform, yap.TV, to incorporate the new TV show format called ‘¡Q’VIVA’ seamlessly from first broadcast on TV to the second screen (eg. mobile phones and tablets) using yap.TV’s Live Pulse audio synchronisation technology.
There are a couple of other reasons why MediaCorp should launch its own social TV platform.
Firstly, stickiness, one of the most prevalent characteristics that is common to all great brands in the world. Facebook enhanced it through its interactive features, Apple has it through it’s simple and user-friendly designs. Stickiness ensures a loyal customer base. This is what MediaCorp’s social TV platform can potentially help to achieve for it’s FTA channels.
Secondly ratings! And following on its heels, ad revenue, the life blood of FTA channels which form the bulk of MediaCorp’s array of broadcast service offerings.
Live tweeting about a show you are watching is perhaps one leading indicator of how social media could be driving programme ratings. According to Tony Wang, General Manager of Twitter UK, the UEFA Champions League football tournament hit 63,000 tweets per second at its highest point last year.
During the 2011 Video Music Awards, Beyoncé’s announcement that she was pregnant generated over 80,000 tweets per second (as discussed in more detail by Kristin Frank here, demonstrating the spontaneous and artful approaches).
What’s really interesting is Twitter’s OxygenLive experiment carried out in the US recently. (OxygenLive is described as a “social viewing party” with talent from the show, pulling comments and conversation from several networks, including Twitter, into a central hub).
The experiment found a 109% boost in engagement by East Coast US viewers when the OxygenLive platform was included. Similarly, Twitter claims that during the CBS show ‘Survivor’, there was a 400% increase in tweets around the show from 2010 to 2011 as a result of live tweeting by talent involved in the programme (source: IPTV News).
Therefore, dare I say, social media and the Internet have not sounded the death knell of TV, contrary to growing beliefs, but in fact, given it a much needed boost, even a lifeline.
And as Tony Wang so aptly put it, “Social TV is based upon a fundamental human impulse – as you enjoy something, it has to be shared…With TV, it just so happens that it is encapsulated perfectly in a tweet. Social TV is not something that a broadcaster decides to have, it is something that is here and now.”
TV viewing has indeed come a long way since the days of the bulky old black and white boxes in the 1960’s. But it remains a social experience just as when it first brightened up the family living rooms many years ago, only this time it is several notches higher in richness. TV executives, do I hear a sigh of relief?